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| Dérives (autour du cinéma) - La voix des sans-voix, fragments de l'histoire politique au Burkina Faso, entretien complet
Voir la conférence Exposer le récit, rencontre avec Frédérique Lagny, 2019
Lire l'entretien de Jean Cristofol et Frédérique Lagny, 2018
Lire le texte À qui appartiennent les pigeons ?, texte critique de Jean Cristofol (philosophe, épistémologue, professeur à l'ESA Aix-en-Provence), 2013
Lire le texte de Paul-Emmanuel Odin, cahier d'études africaines, Renouveau monumental, EHESS, numéro 227 de septembre 2017
Voir aussi : https://www.cairn.info/revue-cahiers-d-etudes-africaines-2017-3-p-691.htm
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| Frédérique Lagny's photographic work addresses the human figure in a resolute way, questioning the fundamental elements in regard to photography of the body. Since 2006 Frédérique has been developing her projects in Burkina Faso, West Africa, where she embarked upon a project that continues to the present day. Characterized by certain aspects of anthropological critique defined as a tool (as per the meaning imbued by Mongo Beti), the work attempts to develop, in its practice as in its diffusion, a political commentary.
Frédérique expands this reflection with a video triptych Vanishing Point (19', 2009) and À qui appartiennent les pigeons ? (39', 2012) - a poetic essay in film - and focuses on criteria which govern the construction of a cultural identity already influenced by colonialism and the difficulties of post-colonial development.
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