“She struck a pose in the middle of doing something” plays with or frustrates our desisre for story-making. Our protagonist is a “she” and remains vague and multi-faceted, only seen as a pose or a hand or an onlooker. She is sometimes revered for her nudity other times her ingenuity.

She is painted from observing a multitude of different women posing in photos, and paintings, well-known or not. Each image is framed with cut up fragments of previous images, recuperated from painting rehearsals.

[…]

This reworking of archived images into an intimate hand writing is something consistent in the artist’s research, as a way of attempting to digest or failing to digest large quantities of images. These motifs/images alter and dissolve in the colours, process and textures of the painting materials.